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Snowball Wasn’t That Great Either

Animal Farm: Greed trumps unity

Greed sets the stage for George Orwell’s classic, Animal Farm. Although it is presented as a fairy story with no obvious meanings, Orwell had a specific objective in mind. Farmer Jones, the owner of the farm, was not just an ordinary English farmer, and nor were his animals simple farm creatures. Before getting too far into this, we must abandon our paradigm of a farm to understand this book. It’s nothing like the farm in this book (Charlotte’s Web). In Orwell’s anthropomorphic setting, the animals have rights too, and their personalities are just as real as the humans.

If we keep our real life view of animals, we might be tempted to claim that Farmer Jones “owned” them. But this will not sit right once we begin to read since the animals are able to communicate, think, write, dream, and so on. They trade, build, plan, and learn. This is not simply a device to make the story work. Orwell quite purposefully sets the animals up as anthropomorphic slaves of Farmer Jones.

With this in mind, Jones’ treatment of the animals purely for his own profit is greedy. I don’t think any reader of this book holds any sympathy for Jones or his hired hands.

On to the pigs, then, the iconic central characters of the book. The pigs, who are never presented in any personal light and whose minds remain closed to the otherwise omniscient reader. The pigs represent the impersonal nature of the self-serving greed of tyrants. By the end, the pigs resemble humans so closely (“four legs good, two legs better”) it is impossible to discern between them.

Greed Trumps Greed

The story begins with a promise of more for less. More leisure time, more food, and more fun, all for less work. Old Major, the first pig, talked of freedom from labor, full bellies, long lives, and best of all, no more Farmer Jones or his whip.

I’m not criticizing the animals for wanting such a change in their lives. Obviously, there was enough food on the farm to warrant such promises. In context, the desire for freedom from slavery was a fair one. Whether Old Major’s vision was realistically achievable for the animals is debatable. In either case, I would not call the majority of animals on the farm greedy.

The pigs, however, fall into a different category. Snowball and Napoleon had ulterior motives. They saw not just the opportunity to cast off the tyrant Jones, but in fact to fill the gap themselves. Snowball was possibly more gentle in his approach to it, certainly less violent, but both pigs were equally greedy.

Animal Farm: Greed trumps unity

Snowball’s scheming was eventually circumvented by Napoleon’s, who was far more devious. Napoleon evicted Snowball, used the memory of his brother as a bloody weapon, and constantly dredged up rumors and falsehoods of the departed pig to drive his own agenda.

Should we feel sorry for Snowball? A traitorous, tyrannical, former friend chased him from the farm, a farm he helped to establish. Napoleon vilified him and stole his reputation and dreams.

But in spite of that, I don’t think Snowball earned any sympathy. Certainly none from me.

Can There Be Heroes with no Villains?

I don’t know if there are heroes, but are there even any villains in Orwell’s classic Animal Farm? It’s easy to dislike the pigs, but are they villains? It’s hard to say they are, if only because there aren’t any heroes to object.

Within this animal-driven world, there appear to be no repercussions for amoral behavior. Napoleon, Squealer, and the rest of the pigs live on the sweat and labor of the other animals. They succeed in supplanting one task master only to become an identical replacement with no negative consequences. No one in the book seems to object.

However, none of the readers of Animal Farm live in such a world.

And that allows us to cast our own moral judgments on what the characters “ought” to have done, an impossible feat for anyone in the book. From our perspective, Napoleon is clearly a villain. He lies, cheats, and murders to get what he wants, which is personal gain. What is his motivation? Unknown. Does he justify his actions with a twisted morality? Unknown. Is he deluded to the point that he actually thinks he deserves more? Unknown. All we really know of him is what his reign produces: misery.

Animal farm: Greed trumps unity

So what about Snowball? Snowball preceded Napoleon in the rule of the farm. And perhaps Orwell was just so good of writer that by the end of the book, the reader almost feels like Snowball had been done wrong by Napoleon. Perhaps  the reader might even begin to feel that the outcome would have been different had Snowball remained in control.

But this, I believe, is incorrect, and is the basis for Orwell’s entire premise. Snowball had the same outcome in mind as Napoleon, he was perhaps just a little less bloodthirsty than his brother. But his ultimate goal was to subsist on the labor of others. He would have been a tyrant all the same.

Heroic Side Note

I said there were no heroes in Animal Farm, and I might be correct. However, if there actually were a hero in the book, the only one I would nominate is Mollie. Of all the characters, she is the only one who casts off the imposed society of the pigs and seeks her own life. Unlike most traditional heroes, however, her motivation is purely selfish, and she does nothing to help anyone else.

Peace and Harmony

If you want to be slightly annoyed, listen to this (on continuous repeat if you want to know what it’s like to have little kids).

Whether or not Napoleon and Snowball truly desired peace and harmony is debatable (and I would argue they did not). And if Old Major honestly wanted it either, I can’t say. He doesn’t last long enough to invite much analysis. But undoubtedly, the majority of the farm animals capable of any type of thought wanted peace and harmony. They wanted the promised utopia.

The main characters, Boxer and Clover, firmly believed they were headed for such a state all the way to the end. Benjamin didn’t hope for it on the surface, but I think he did secretly. He hoped against the pessimistic experience of his long life. They were all disappointed.

These simple creatures, both in mind and desire, fall prey to the greed of the conniving pigs, Snowball and Napoleon. Orwell purposefully directed this book at one of the eminent powers of his day, the Soviet Union. Even when it appeared that the communist rule there was so successful, Orwell knew that it was built on a false foundation of lies and tyranny. He had seen the evil underpinnings firsthand during the Spanish Civil War.

Be Greedy or Be Good

Orwell’s message in Animal Farm is fundamental, and not limited to his time. The message I take from it is that an idyllic society can only exist if each member of it lives the right way. Each member must act with integrity and not take advantage of another no matter what possibility is presented. Each person would have to eliminate greed from their heart. There is no way to force such a life on any group. It must be chosen unanimously, or it will not succeed.

Earlier, I reference Charlotte’s Web as an opposite farm to Animal Farm, and I think the spider herself is an excellent contrast to the pigs. Although they live for themselves alone, she lived her entire life for someone else, to build them up. Charlotte’s way was far more likely to produce the utopia the animals sought than any other.

 

 

 

Photo credit: Martin Pettitt on Visualhunt / CC BY

Photo credit: amboo who? on Visual Hunt / CC BY-SA

Empathy, the Hero Maker

In the course of a lifetime there were some things that mattered

“In the course of a lifetime, there were some things that mattered” (Walk Two Moons).

I’ll admit it up front, before reading this I thought it was a science fiction book. I have no excuse for it. But, well, there was the whole “two moons” thing and that seemed space-like and I didn’t read any blurbs or reviews, so I didn’t know better. The title makes perfect sense to me now, of course, but it’s not science fiction.

I probably wouldn’t even have read this book if I had known that in advance because I was in the mood for something totally made up at the time. I don’t regret my mistake one bit. Whether you are in the mood for sci-fi or anything else, if you have not read Sharon Creech’s Walk Two Moons, I’ll recommend that you do.

It’s a book intended for young adult readers, but there is a lot there for all ages. The tone reminded me of Peace Like a River (Leif Enger), which was a worthwhile book to read as well (two recommendations in one post! Lucky you!). I enjoy these flowing, first-person narratives through the newness and discovery of young eyes looking at parts of the world for the first time.

Salamanca (Sal) is the young protagonist of the book and the narrative follows her growth as a person in the face of tragedy.

What I liked: Some Spoilers

Don’t read this part if you haven’t read the book and you don’t like spoilers. I won’t reveal anything too important but skip on down to “Empathy: Some Thoughts” if you need to.

First a comment about the writing. I liked getting Sal’s perspective and I loved that I only knew what she knew. I discovered the truth along with her, which kept me guessing (usually incorrectly). That’s a challenging type of narrative to create while also keeping the text engaging. Creech pulls it off expertly.In the course of a lifetime there were some things that mattered

I was about one-third of the way through the book and was starting to have some very judgmental feelings towards Sal’s mom. By that point, I was certain I knew enough to condemn her. And I was totally wrong. To me, that is evidence of an expert author at work. By the end, my opinion had changed 180 degrees and I felt a little guilty for my earlier conclusions.

Not only was I completely wrapped up in the story, I also learned for myself the actual moral Creech was portraying. Namely not to judge someone until you had spent some time seeing things from their perspective. That’s the “walk two moons” part of it, borrowing some Native American phraseology regarding months.

Half the story is spent on Sal as she drives with her grandparents to see her mother. The other half is spent in Sal’s memory as she relives time spent with her friend Phoebe. I really enjoyed the interweaving of these two threads. Both stories, meandering at first, eventually unite to reveal the same moral offered from the perspective of a young girl. The lessons learned with Phoebe are naive and awakening contrasted to those learned in the “present” that stem from the cold reality of life taken too soon.

Empathy: Some Thoughts

The central theme of Walk Two Moons is empathy, alluded to (very subtly) by the title. Sal repeatedly recites variants of the phrase “Don’t judge a man until you’ve walked two moons in his moccasins.” There are other renditions of this phrase around, but they all mean the same thing. Until we can see life from another person’s perspective, we can’t understand who they are or how they came to be that way.

In the course of a lifetime there were some things that matteredUnderstanding a situation from another person’s perspective is called empathy. It’s no simple skill to acquire. I title this post “Empathy, the Hero Maker” because the people that do the most good are those that can seek to understand. My heroes are those whose first thoughts are “why is she like that” or “how can I help him”?

Sal is the protagonist of Walk Two Moons, but as she grows up throughout its pages, she also becomes heroic. She comes to understand that snap judgments and her own long-held ideas are not always right, even though they feel right. Once she starts to see how to be empathetic and begins to find value in doing so, she becomes a positive influence on her friends and family.

Maybe the most important thing that happens to Sal once she learns empathy is that she finally can forgive. She finds a way to forgive her mother, which was difficult for her. Forgiveness healed her soul, which had been suffering for a long time.

And then she forgives her father, which healed her most important relationship. These kinds of changes, which we all need to make, are not easy for anyone. Inevitably with empathy comes a measure of humility. Or possibly it takes some humility to acquire empathy. Either way, they go together. I don’t think it’s possible to really have empathy and also retain a sense of arrogance or pride.

Personal Growth: Some Lessons

In the end, Walk Two Moons was about personal growth. Sal learns a variety of lessons, more than I can include here. One that I like is “We never know the worth of water until the well is dry.” I love the simplicity of that statement as well as the depth of meaning. In Much Ado About Nothing it’s stated less simply, but I’m quoting it anyway because I like Shakespeare:

For it so falls out

That what we have we prize not to the worth

Whiles we enjoy it, but being lacked and lost,

Why then we rack the value, then we find

The virtue that possession would not show us

Whiles it was ours.

I love the thought both ways. We should not let the commonness of the good things in life blind us to their goodness.

Hand-in-hand with this thought is the quote I opened with, “In the course of a lifetime, there were some things that mattered.” For many of us, it is easy to lose sight of the value of the good things we have because we fill up our days with distractions of little consequence.

I do it myself. My article on Fahrenheit 451 touches on this from a different angle. There are things that matter in life, and there are things that don’t. Does it matter if you work hard?

In the course of a lifetime there were some things that mattered

I say it does. But does it matter what your work is? Not as much. There is value in hard work, in effort and achievement, but we place too much emphasis on certain fields rather than on the quality of work itself.

The easiest tack to take on this concerns things, that is to say, material wealth. Does it matter what we have, or is the real substance found in what you do with what you have? For some that is a rhetorical question, for others, an inane one. For me, intellectually and rationally, I believe it only matters what we do with what we have. Applying that principle in practice is another story.

What Really Matters

For Salamanca in Walk Two Moons, being able to forgive and understand her mother was a thing that mattered. It mattered the most and it made all the difference.

For me, I think we can learn from this short but profound story. First, be empathetic. Empathy matters. In the course of your lifetime, empathy will matter forever. Care about someone else and try to see things from their perspective before judging. If we do that, I think we will have less conflict and more happiness.

I believe that applies personally and globally. We need more heroes in the world, and to get those, we need more empathy. Empathy is the hero-maker. With it, we can see beyond our self, and we will feel the need to make a difference. We must be willing to lift someone else up because we understand that they need us.

Second, in the course of your life find the things that matter. And once you find them, make them the things that matter the most to you. I have heard the quote before “you will never look back at your life and wish you had spent more time at the office.” Time with our loved ones has to be one of the things in our life that matters most. In fact, we need to make it that way.

I highly recommend you take a few hours and read Walk Two Moons. Then spend a little time on introspection afterwards. I learned a lot from doing both.

In the course of a lifetime there were some things that mattered

 

 

Please leave a comment below on what you think. If you’ve already read Walk Two Moons, what was your take on it? Also take a minute and subscribe to my blog so you never miss a post.

 

 

Photo credits:

Pond Photo by Miguel Virkkunen Carvalho on Visualhunt / CC BY

Moccasins Photo by TracyKoPhoto on VisualHunt / CC BY

Starscape Photo by j-dub1980 on VisualHunt / CC BY-SA

 

The Only Story

Choices matter most in life; have we done good or ill

“And the Lord said unto Cain, Why art thou angry? and why is thy countenance fallen?

If thou doest well, shalt thou not be accepted? and if thou doest not well, sin lieth at the door. And unto thee shall be its desire, and thou mayest rule over it.”

The story of Cain and Abel is a story of rejection. Or perhaps more aptly, the fear of rejection. In East of Eden, John Steinbeck says their story “is the best known story in the world because it is everybody’s story.”

What is the world’s story?

I can’t say I loved reading East of Eden, but at the same time I’m glad that I did. Some of the characters were darker than life and left me dissatisfied with their treatment in the plot. Some of the subplots seemed empty and I was unsure of their purpose. But overall the story left an impression on me, and I haven’t been able to stop thinking about it. This book engaged me from the beginning and I discovered some new ideas.

As an author, Steinbeck’s message hit home. When I write something, frequently blog posts, occasionally entire books (I know, right?), there is a part of me that is always afraid. The fear is irrational, possibly, but it’s also real. As I said when I published my book, my fear is not that people will dislike what I wrote. What I fear is that no one will read it.

Our choices determine our story: have we done good or evil in or life?For an author, that is the same as rejection. I write partially for self-fulfillment, but mostly because I want to share what I think with others. And I want to hear what they think in return. After I have written something, and as there is sometimes (or often) silence, a feeling comes that I can’t escape.

To tie this thought back to Cain and Abel, I believe I know a little bit how Cain felt. He must have put his heart and soul into his gift, and it was rejected.

One of Steinbeck’s characters, Lee (my mother-in-law’s favorite), says, “The greatest terror a child can have is that he is not loved.” Lee continues, “I think everyone in the world…has felt rejection.” And finally the key, “with rejection comes anger, and with anger…crime in revenge…and with the crime guilt—and there is the story of mankind.”

East of Eden

In Genesis, the Garden of Eden was a paradise where Adam and Eve lived. When they left Eden, they started their family. The story of their two sons, Cain and Abel, is the story of Cain’s desire for acceptance and his fear of rejection. He offers the labor of his hands, but his gift does not please God. We all know what happens next.

I suppose there are numerous debates over Cain’s story and fate. Our choices determine our story: have we done good or evil in or life?Why did God reject Cain’s first offering but accept Abel’s? Did God prefer Abel? An inescapable train of thought inevitably arrives to ask whether or not God was “fair” to Cain.

I can’t really answer those questions. But I can say with certainty that the answers are not important. What is important is what Cain did afterwards. He made a choice. After his offering was rejected, he had a second chance, and possibly would have had many chances after that for all we know. A significant detail to me is that God did not punish Cain, he only warned him. He warned him that he stood at a fork in the road and he had to choose.

The choosing was the most important thing. It was Steinbeck’s crucial theme throughout East of Eden. God told Cain that it was up to him. Cain had the choice. “Thou mayest rule over it.” He didn’t have to give in.

Life’s Purpose

As I have said elsewhere, I feel strongly that our purpose in life is to become something greater than we were before. Cain could be any one of us if we choose to give in to anger, hate, or jealousy. Steinbeck thought that we all have the seeds of both good and ill inside of us.

Our choices determine our story: have we done good or evil in or life?

He believed our decisions and actions determine which side emerges from this internal conflict to define us.

“Maybe we all have in us a secret pond where evil and ugly things germinate and grow strong. But this culture is fenced, and the swimming brood climbs up only to fall back.”

I share Steinbeck’s belief in this. There is the potential for evil in all of us, and it is only our strength of will, our desire for good, and our choices that can resist it. And in resisting, we strengthen our souls.

What will be your story?

All great literature causes us to look into ourselves and learn a little bit more. In East of Eden, two brothers, Cal and Aron, face a situation blatantly analogous to that of Cain and Abel, even down to the alliterative names. But unlike Cain, Cal breaks the cycle of rejection that would have led him to resentment and regret. Instead, he finds a way to rise above and change himself.

He does not fall to the same fate as Cain.

I’ve read a lot of Steinbeck’s works, and although most of his writing is (almost by definition) very sad, he finishes East of Eden with hope. The book ends with the promise that any of us can be better and choose better than Cain. He says, through the story of Cal, that despite our parents, despite our background, despite our tendencies, and above all despite our circumstances, we can choose to do good.

And that is the only story. “We have only one story. All novels, all poetry, are built on the never-ending contest in ourselves of good and evil.”

Our choices determine our story: have we done good or evil in or life?

What do you think? Share your thoughts below.

 

 

Photo credit: Jill Clardy via Visual Hunt / CC BY-SA

Photo credit: Luciano Osorio via Visualhunt.com / CC BY-NC-SA